Anandabazar

17 PwR 1407 PS{yS} 1  jSvSA} 2001

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	y XMsZ t~z P~dc SAyH }SM} wH AtAN} XuSwc eSeF hyrF} PRjMv wDZ{y yS~S YcSMtA{ _yS}Z <s{ SAyH }S TS}c zSMq} YMSjv cM}Ai~ zA{cS H{rH eSeH Y}MH} }mJc uA}M AtM~v, yAer PsMc S{SAjc tSy$rS} csS yM~Miv
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Ay} {r PsMc \|SyrH AO-SArMc r@S}S {A AtMr PhMAiM~v {M} h~{SvrS PhMAiM~v, {SvM} cSiScSAi YMr M}} PtaSM~ X>ScS MAi~ {U {U iAy; k~c AtMAi~ eO-cAyrS} mJcM}S mJcM}S wA PhR}A} {MvS}tS rSMe} _cCm eGMj cT MAi~ eS~SA}-_ PdSMv Ax Av-}Ay h~r Ah<tvH SAr wSn, vSmc a eSMv} Y} cdva {u}SM t} >SM} eSM iAy _>Mc Px~Mrv SH rTq AOH XAr wS~ (M} iAyMr cAy PeRr{ PhRu}H} SMm iAy Y>cMiv ArAv, rSA}dmS Ai~ 4 jv, 1976) h~{Sv AO YM2S~v-_} _Z Ai~ hvS _Z SH rTMq}Z PvrM YM2S~Mv c<Su A{A~MAiM~v }S{Ac} PyZj, wA}MrS Pv, vH~{Suy Pv, }sHv K{, vH~ eMSwSuS, A hMSwSuS, wMq2 wH, Yv2c} <{d jTA} XyS a wSrS~ P}M~} Pd>SSdA} cS}Mq Svhr M 77-_ YM2S~Mv} eAr T$  Ac xuS}S} {MrS PRSrCm Py>Mh sSMc _Z YM2S~Mv} w>Ah y wAr \y wSA~r My 4-7 jSvSA} }yH4tv a yS~S YcSMtA{ <SMq YcSMtA{ zSfM} SAr c{S~S, AOAAy} eeMv4 <tS~S dSrvS{S AOHMt} Ah<tvH _y w>Ah yiM}} ZArS t~z _c YM~ScAh <tv PtaS~-Ah Xv, PtaS~ SAr A~dMv} wSSwSA YU _cCm PtSr~S ySM} eSM AOHMt} iAy X>ScS} c{\|aa _} PhM h~{SvrS Y} cH Mr wSM}? zS}r a {SzS}r _Z vyyM tCm cSM~S} Y{SMt} PmAyM~ PwR>MiMi \|SMt} _cmS} Ay zS}r, XvCm} {SzS}r zS}r ~ Ay Ao _ S} PtaS~wAb} Ay, \|S} (S a Av{SrS M~v Xr~vH yAhc} Y} Pc ~9q ~9Mq} PtdS {Sj a }SjvHAr} ySUy Lw yStwM} cSmJMv} P}dS PtMd Y{SMt} cS~ , _ yS} PtaSM~} iAyMr PwAM~ u}S t PtMd PtMd Y{SMt} yi} cSmMy ySM}S {S uM} Y{}S ySM}SCm PMh zS}rjHyMv} Aci wA}Ahr, KtvA2v t AxM} AxM} wSy t`M~S MrS <r zSMy {GZ M}} <Arx~v, Ac rS}S zS}Mr} Xv <Mt a M}} jHyMv}a csS yM~ ~9q rS>} PiS {dwSMr yM~aMiv, India with all its shortcomings is my favourite haunt for sheer joy of sketching. cSM~SM} rS>} AcS} c}S {Mr} {Mu YMi wSvS~S} S, hSM} PtScSMv} cS~, tw}, AyMc~ \|SZ PSc, eSir~S} P~Mv (ZmSA~Sv P~va yM~ \|SMc!) tSA cS{SMvS, AcyS M} iAy SAwq SySv, ZrSAt P\|-zS}rjHyvAh ZvMxSMmc, Z-c{S, eSm hA, AyMtA ~A cH AtA Ay~Hc}Mq yt~S vS

zS}rjHyMv} Ah}v csS y~S YMi {SzS}Mr P\| {SzS}rMc AvMj} {MrS cM}, } rA~ AhMq yM~Miv AOH XLw tS <yHq AOH} XSuS}q PZ zS}rcsS PsMc hS}Cm {r PyMi AvM Po cSM~S} cM}Mi Y} Aw Aj S zSM~ P(RwtH} yV}q, XvM} wmzA{Mr HcX (AyLw tMv} {Mr, vSAc y2SyMv} PRAdv }SMr, vSAc {rcSM~?), Ac cX, ur}SW wtrM~ j(Ms} Ai7{Uc wrv_Z hS} tM} PytvS a vSm AtM z}SMvS 2001-_} ySM}SmS {S yi} xM}SM~ _Mt} yS>uSyS} PkS>c My yZcH! PmS

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{qS~ Pv

<4mS Ai~ c~cSrS} zAy AvM \M} {qS~ Pv y~M~v, y~Ai _c c~cSrS-P<A{Mc} csS j8M AyMtA, AvyS ~v, c{M wAsyH jM PwS SySAtc, PvS c~cSrS cMvAi, yi} f}MrZ AxM} YMyv _cyS} _cyS}, <AryS} P yS}, 71-_} PZ z} {M, _MAiM~v PZ {M} _cmS P~dS {Mv wMi A~MdAiM~v, Everytime I return to Calcutta I feel it must be surely impossible that it can continue much longer like this. Yet it always does. An interval of a year makes the visual impact more painful, the squalor more squalid, the poverty more militant, the despair more desperate. I find Calcuta an intimidating and even infernal city, unredeemed, and probably doomed.

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Sv ~SAH

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